Dr Shama Rahman and Dr Oliver Gingrich

Zeitgeist is an interactive AI-based XR experience of Flow mental states presented as 360 participatory performance. The artwork interrogates issues around the need to 'Decolonise AI' due to inherent structural bias affecting marginalised groups

ONLY SLIME

AFTERLIFE by ONLY SLIME (Tobi Pfeil and Claudia Cox) transforms their 2023 computer-game opera into an ambitious new installation. Conceived after a real Near-Death-Experience, the installation invites you to step inside a world between life and death, past, present and future.

Lukas Truniger & Bruce Yoder

The installation recreates naturally occurring optical atmospheric phenomena like rainbows by artificial means, raising questions on how we interact with our environment and explores the inherently human desire to imitate as well as to eventually control nature.

STUDIO F.A.C.E.

A 63-cell fabric installation turns any space into a musical instrument. Infrared cameras and AI Crowd Dynamic Analytics track every step and pause, translating collective movement into live spatial music, making each participant both soloist and orchestra, performer and observer

Maria Smigielska, CompMonks

When neurotechnology serves introspection instead of extraction, Proteus steers brain signals into living matter. A chapel-like chamber summons visitor’s attention without harvesting it but to transcend and return it as a contemplative, generative force

Monika Masłoń

CONTROL NEGATIVE is an immersive 6DoF VR installation that transforms disruption into method. Through unstable interaction, shifting agency, and intentional dysfunction, it turns loss of control into an embodied emotional experience.

Sister Sylvester

Constantinopoliad is a collective reading experience and audio work. A response to the archive of the poet Constantine Cavafy, the story is inspired by lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit Cavafy in his poems.

Karim Ben Khelifa

In this intimate, site-specific variation of his ongoing project, Karim Ben Khelifa shifts the experience of war from cognition to embodiment, confronting audiences with its physical and emotional weight.

Peter van Haaften, Michael Montanaro, Garnet Willis

ON AIR is an interactive sound art installation that transforms voice with a series of whimsical kinetic sculptures. The work culminates in a choral harmony of mirrors, building into a cacophonous performance of sound, rhythm and light.

Suguru Goto

Da Vinci’s Robot — A Will Dwelling in Shadow explores interaction as an embodied and spatial experience. Inside a giant robotic exoskeleton, the performer’s movements are amplified through laser and sound, transforming bodily motion into an immersive environmental force.

Simone Wierød and Carl Emil Carlsen

Dualities is a techno-poetic dance performance where body and simulation merge in a meeting with the digital self. Through stereoscopic projection and volumetric capture, physical and virtual worlds overlap as bodies and their digital doubles transform in visual music.

Lauren Lee McCarthy

AUTO is an autonomous vehicle driven by collective singing, prompted karaoke-style through signage and sound. Learning the words only as they’re leaving their lips, passengers realize that they’re not just riding in AUTO, but becoming AUTO.

Sumio Kobayashi

Aquatic Score for a Performing Goldfish is a short piano work in which a goldfish becomes the performer. In this work, a musical score is placed beneath the image of water. A computer program detects the movement of a goldfish, and when the fish touches specific notes there.

DANIEL ROZIN

The performative version of Mechanical Mirrors extends Daniel Rozin’s celebrated series of interactive sculptures into live performance, where the mirrors join the orchestra as both visual and musical instruments, generating sound through performer movement and mechanical behavior.

Eric Cheung

ARRAY is an interactive laser movement installation and dance piece that explores dimensionality as a means to contemplate the layers of our existence, revealing the abstraction between our physical and non-physical realities through movement data, light, sound and structure.

TRANS VOICES, ILĀ & MONOM

UN/BOUND is an interactive choral holographic sound installation created for Feel The Sound, Barbican. Shaped by cutting-edge quantum technology, TRANS VOICES choir evolves around you. Transform your own voice by making sound into specially trained ethical AI models of the choir

So Kanno × Takuro Yonezawa × Yutaro Kyono

Swarm robotic light installation. Suspended tubes—each minimal, each oriented—breathe as a flock, synchronising, drifting apart, turning toward visitors who enter. An intimate microcosm of the one and the many: a non-verbal dialogue on being social, and being alive.

Antonín Kindl

OKO by Czech artist Antonín Kindl, winning project of Signal Calling 2025 (Signal Festival & PrusaLab), is an interactive electronic organism that explores the boundary between machine and human perception, influencing its environment through projected image and sound.

Laura Splan

Baroque Bodies (Sway)' creates an embodied immersive experience of epigenetic entanglement across micro and macro scales. The installation incorporates a 3D gaming environment, sound, and AI imagery that are controlled by intuitive movements and emergent social interactions.

Sasha Stiles

An immersive generative language environment that advances poetry as a defining medium of the 21st century, and explores “poetic intelligence” (the intertwining of emotion and algorithm to make meaning) as a model for how technology can deepen, rather than diminish, our humanity.