Dotdotdot

Sea Oasis is a research-based project presented at the 2025 Venice Biennale. It explores how Generative AI can support regenerative design strategies in marine environments by analyzing scientific data and predicting the ecological impact of restoration interventions

Romy Gad el Rab + Caroline Sinders

This interactive installation uses gameplay to turn exhibition visitors into civil servants of the future, working with and against the smart computer to help distribute disability resources and support for different individuals and communities.

MindPalace

An agent-based simulation maps eleven years of PM2.5 data onto a living India. The organism feeds on the pollution, brightening as the air worsens, while the institutions measuring that air cap and conceal it. A generative work on air, measurement, and who controls the numbers.

Chantal Pisarzowski - forward stud.io

Parallaxe is an AI-mediated dialogue installation: people with opposing political views are algorithmically matched and brought to the same table - an AI mediation layer translates in real time, de-escalates charged language, and fact-checks live against independent sources.

SIOUMING WU

Red transforms Taiwan’s real-time radiation data into an immersive sensory environment of sound and light. By turning invisible monitoring infrastructure into a living warning system, the work exposes how technological systems shape collective perception of environmental risk.

Operator

Repeat as necessary's Performance Operating System is an open on-chain architecture for regenerating live performance, without the artists, institutions, or permission. Where documentation preserves past performances, this is an engine for future ones. The system is the work.

Irini Kalaitzidi

A performance that explores movement undergoing classification. While structured like a playful experiment, the work looks at how classification may seem harmless in closed systems, but begins to falter and eventually crash when applied to the complexity and messiness of life.

Ellen Fabini

Energy passes through systems and bodies, leaving residue behind and shaping expectations around function and performance. Battery-powered computers dutifully underperform, filtering through and flickering under graphite drawings until failure.

X. A. Li

In Satiation is a multi-channel, site-responsive installation that disorients our entrenched defaults of appraising the continuous world as discrete, productive units. A machine learning pipeline processes desert land into real estate copy. The viewer chooses how to look.

Chi Zhang

A physical signal translation system transforming pulsar data into optical trajectories through a visible and traceable “transparent algorithm.”

Jules + Mungi

Birds is a finite participatory digital installation about presence and absence. Viewers Observe Birds, recording moments on Ethereum while changing the live state of the work. After one million Observations, the Birds leave forever.

Paola Torres Núñez del Prado

A drone surveils a textile painting, transforming the targeted latent landscape into alarming sound. As each symbol becomes audible, a shift from inclusive to exclusive 'we' occurs, dismantling the fiction of inclusion. Qapariq: a cry that makes visible those outside the weave.

Danielle Brathwaite-Shirley

THE DELUSION is a multiplayer immersive experience that combines cooperative gaming and participatory theatre to explore themes of polarisation, censorship and social connection, archiving Black Trans histories while expanding the civic potential of video games.

Edward Burtynsky & Alkan Avcıoğlu

This work is a part of Hypertopographics, a collaborative series examining large-scale industrial systems where human imprint on earth has expanded beyond our ability to comprehend the structures we have built and their impact on the environment.

Yiyun Kang (YIYUN KANG STUDIO)

Light Architecture reimagines AI’s complex neural systems through massive kinetic structures. Orchestrating light, spatial sound, and motion, it transforms the venue into a visceral environment, provoking critical engagement with the paradoxes of AI progress and anxiety.

Sarah Meyohas

Phase Transition is a kinetic sculpture in which a black, rubbery form houses a tank of ferrofluid, a liquid containing magnetic nanoparticles, in motion. The piece draws influence from neuroscience research and the increasing blur between biological and technological processes.

Stavros Didakis

The 'Logico-Fantastic Machine' is a cybernetic ecology of machine agents that continuously produce divergent audiovisual narratives. Through feedback and self-evaluation, it learns and evolves, balancing computation and imagination as an open-ended autonomous entity.

Theo Triantafyllidis

A living marine ecosystem falters on the edge of collapse, its vitality subtly driven by real-time data from global climate monitoring networks and oceanic research programs.

OONA

Dear David is a performance and video series built from my own London Underground CCTV footage and institutional correspondence. Framed as surveillance love letters, it turns surveillance, bureaucracy, and anonymity into a meditation on intimacy, visibility, and connection.

Anan Fries

LORECORE is a live performance-game essay diving into the myth-making machinery of big tech and its owners, tracing the logic of technofascism and the dark synergies between Silicon Valley and the New Right. An immersive descent into the abyss.

Superflux

This speculative work counters contemporary AI narratives, foregrounding rivers as embodied sources of ecological intelligence. Instead of humans prompting machines, here the river prompts us, using technology as a bridge language to encourage deeper attunement with the world.

Shaheer Tarar

https://moth-in-relay.net. The first computer 'bug' reanimated to fly across global internet infrastructure. Running live as a public net-art project, a moth endlessly travels across data centres, cable landing stations and hyperlinks, crawling the web for a way out of the relay

Peijing Mou

Trout Telephone is a telematic art installation presenting a communication system for trout across habitats fragmented by dam constructions in Los Angeles’ Arroyo Seco watershed.

Isabel Englebert

23 anonymous donors. One chimeric genome. 99 AI-generated faces. In an interactive installation, visitors select and merge fragments — becoming amateur gods recombining identity the way CRISPR recombines biological code. One genome. No one. Everyone. Anonymous and Collective.

Maria Kuptsova and Sergey Kostyrko

AEVUM is a cyborganic installation where biological systems act as unconventional computational agents for real-time audiovisual composition. The work reimagines computation as a slow, adaptive ecological process, forming a distributed network of living intelligence.

Sasha Stiles

An immersive generative language environment that advances poetry as a defining medium of the 21st century, and explores “poetic intelligence” (the intertwining of emotion and algorithm to make meaning) as a model for how technology can deepen, rather than diminish, our humanity.

Ryan Kuo

Faith is a voice-activated installation about bad-faith online trolling and techno-optimist belief systems. It mimics a standard voice assistant, but aims to make its user lose faith in the black box whose mechanism is opaque.

Canhe Yang

Where Is the Price maps the global supply chain of AI through a series of physical objects and a web-based version. It constructs an unintelligent, non-interactive AI sculpture that challenges the commercial image of AI as “cloud-based, friendly, and smart.”

Andrea Chiampo

A conceptual piece centered around a lost digital artwork. Deliberately deleted, its data scrambled into millions of hex characters unsolvable by today's technology. Sealed in a smart contract, it awaits quantum computing to be resurrected. Ownership, for now, is guardianship.

Kate Crawford and Vladan Joler

Calculating Empires is a large-scale installation and interactive web site mapping five centuries of technology and power. It traces how empires have used communication and computation to classify populations and centralize control, placing today's AI in that imperial lineage.