Operator

Repeat as necessary's Performance Operating System is an open on-chain architecture for regenerating live performance, without the artists, institutions, or permission. Where documentation preserves past performances, this is an engine for future ones. The system is the work.

Aiwen Ding and Zhi Geng

Throat of the Wind' is a site-specific sound installation based on long-term field research. It converges the energies of history, wind, and electromagnetism into a discarded turbine blade, transforming it into an earth instrument—a 'throat' for the land's memory.

Alida Sun

RITES reclaims women’s erased computational heritage through code, ritual, embroidery, and care. Integrating custom software, light, sound, and traditional mirror work, each tapestry is an abstract human–machine portrait and encrypted sigil re-imagining technology as resistance.

Amor Muñoz

Five sculptures of knotted fingers where, through augmented reality, body movement modulates sounds in spatial audio generated from hand-woven data (motion capture gloves). A reflection on craftsmanship in times of digital automation.

Antigoni Tsagkaropoulou

In The Wild is a living,visual poem about queer sensing, care, and refusal beyond techno-capitalist logics. Across wetland time, robots, archives, and analogue/digital glitches, it critiques the fantasies of automation and explores intelligence as relational, embodied, and shared

Benjamin Bardou

Memory of Brittany No.2 is a work of reminiscence, recalling a place through volumetric video and point clouds. Made shortly before my son’s birth, it gives form to memory while turning towards the future, as a quiet wish for him to encounter the beauty of the world.

Chloé Lee

Mixed-reality installation that reactivates a 2015 archive of Singaporean voices as a walkable film. Switching physical slides on a retro projector shifts holographic neighborhoods while AI renders future landscapes — granting viewers the narrative agency urban renewal denies.

Constance Lu Tianying Lei

A web-based continuation infrastructure responding to visa-forced displacement. Three temporal layers — real journals, GPU-reconstructed objects, and AI-generated diary entries dated to the current day — examine how generative systems construct futures on behalf of the absent.

Cyrus Clarke

The Anemoia Device is a scent-memory machine that uses generative AI to distill archival photographs into bespoke fragrances. Each image is transformed into a scent that evokes anemoia: nostalgia for a time one has never lived.

daisy* | Masato Inagaki

Reconstructed through realtime 3DCG and autonomous simulation systems, the simulated Edo city reinterprets Kidai Shoran as a computational microcosm shaped by emergent social behaviors, where cultural memory evolves between history, artificial life, and cosmic order.

Ioana Vreme Moser

Fluid Anatomy unveils an analogue water & air computer that guides flows in a dynamic interplay of movement, pressure, and resonance. The installation highlights the resilience of fluidics, an alternative computational model to question the present-day technological narratives.

Kordae Jatafa Henry

IF NOT NOW is a speculative short set on the brink of extinction, where a father and son use ancestral technology to transcend space and time. Blending ritual, science fiction, and ecology, the film explores memory, survival, and rebirth.

Luke Shannon

The plotter-scanner is an interactive kinetic sculpture that combines a modified document scanner and custom 4'x6' plotter to create a life-sized scanner capable of scanning people: a tool of simultaneous surveillance and witness, both expansive and fragmenting—like the internet.

Matt DesLauriers, Kjetil Golid and Andreas Rau

Pattern Language engages with the textile history of Western Norway in a contemporary context. In an interactive installation, audiences playfully explore a generative system building on traditional Åkle weaving patterns. Selected outputs are presented as jacquard-woven textiles.

Mimi Ọnụọha

Ground Truths follows Mimi Ọnụọha after 95 bodies are discovered in her Texas hometown. Shaken, she builds a machine learning model to predict where other such graves lie and discovers what happens when the tools we build to find truth rely on systems designed on forgetting.

Mo H. Zareei

Department Press Briefings dissects U.S. State Department press briefings using concrete poetry and electronic music. Through digital intervention, the work responds to the engineered vocabulary of bureaucratic speech, and its ability to sound definitive while revealing little.

No Ghost and Dialled In

A multiplayer, mixed-reality experience that explores the history of British South Asian youth culture and the 1970-80s Daytimers club scene. The project blends archival footage, oral histories, hand crafted animation and cutting-edge tech to celebrate resistance through music.

OONA

Dear David is a performance and video series built from my own London Underground CCTV footage and institutional correspondence. Framed as surveillance love letters, it turns surveillance, bureaucracy, and anonymity into a meditation on intimacy, visibility, and connection.

PARADE Collective

PARADE is a participatory web-based artwork enacting an endless procession of voices through spatial audio and WebXR. Open to the global public, it invites all to co-create a living sonic commons celebrating human complexity, dissonance, and resilience amid global fracture.

Robin Kane

Through ritual, stillness, and motion, the series traces the Circassian exile across past, present, and future. Bodies and landscapes become carriers of inherited memory - holding grief, survival, displacement, and the persistence of a scattered nation.